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    <loc>https://www.faceoflightphotography.de/blog</loc>
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    <lastmod>2026-03-28</lastmod>
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  <url>
    <loc>https://www.faceoflightphotography.de/blog/nikon-f-review-35mm-slr</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-25</lastmod>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>Nikon F Photomic FTN – a masterpiece</image:caption>
    </image:image>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>Nikon F - Rewind Crank and PC-Sync</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>Nikon S2 with its matching 50mm F/1.4</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>Nikon F Mount - Your Gateway to Great Lenses</image:caption>
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    <image:image>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>It’s sturdy!</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>The Nikons Titanium Shutter</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>The Photomic FTN next to the Nikon F Body</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>A peek through the FNT Viewfinder</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>The rotten foam has already had its share of this prism</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>Focusing Screen Type A</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>The 8 screens available at introduction, many more were added later.</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>A very rough NonAI to AI Conversion</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>The “offset” shutter button</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>Yes infinity is on the other side on Nikkors.</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>It was not designed to be lightweight.</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>Film Spool and Shutter of the Nikon F</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>Don’t worry the lever is designed to have some play</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>The Nikon AS-1 Adapter</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>The sturdy AR-2 - Also works with the F2 body!</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>My ultimate Lense kit</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/1774296610800-XAHLC3AGSHEOF1JWK8QQ/nikkor-28mm-f3.5-pre-ai-lens-nikon-f-front.jpg</image:loc>
      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-H 28mm F/3.5 NonAI</image:title>
      <image:caption>Nikkor-H 28mm F/3.5 NonAI Front Element</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-H 28mm F/3.5 NonAI</image:title>
      <image:caption>Nikkor-H 28mm F/3.5 NonAI Rear Element</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-O 35mm F/2.0 NonAI</image:title>
      <image:caption>Nikkor-O 35mm F/2.0 NonAI Front Element</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-O 35mm F/2.0 NonAI</image:title>
      <image:caption>Nikkor-O 35mm F/2.0 NonAI Rear Element</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-S Auto 50mm F/1.4 NonAI</image:title>
      <image:caption>Nikkor-S Auto 50mm F/1.4 Front Element This original NonAI Lense has been roughly modified to fit later AI bodies.</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-S Auto 50mm F/1.4 NonAI</image:title>
      <image:caption>Nikkor-S Auto 50mm F/1.4 NonAi - here you see the rough conversion to AI</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-P 105mm F/2.5 NonAI</image:title>
      <image:caption>Nikkor-P 105mm F/2.5 NonAiFront Element</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-P 105mm F/2.5 NonAI</image:title>
      <image:caption>Nikkor-P 105mm F/2.5 NonAI Rear Element</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>Nikkor-P Close up showing part of the Nikkor Naming Philosophy</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>A little cleaning goes a long way!</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>Freshly serviced Nikon F</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>Nikon F or F2 - Which is better? Not an easy question.</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Mach es besonders</image:title>
      <image:caption>My Nikon F Gear</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/1774290121911-NOTS9N000ZX3XDERABCY/Nikon-F-Nikkor-p-105mm-f2.5-Valdemossa-Benedikt-Schlereth.jpg</image:loc>
      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-P 105mm 2-8 NonAi - Cinestill 50D</image:title>
      <image:caption>Check this Nikkor-P 105mm f2.5 Pre-AI performance! Notice the incredible separation between the subject and the background. A true masterpiece of optical design.</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-S 50mm f/1.4 on the NIkon F with Cinestill 50D</image:title>
      <image:caption>Wide shot of Valdemossa captured with a Nikon F 35mm film camera and the 50mm 1.4. CineStill 50D daylight film results in great greens!</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-P 105mm 2-8 NonAi - Cinestill 50D</image:title>
      <image:caption>Portrait of the author, demonstrating the sharpness and micro-contrast of the Nikkor-P 105mm f/2.5.</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-O 35mm 2.0 NonAi - Fujifilm Provia 100F</image:title>
      <image:caption>The Nikon F 35mm film camera and slide film are a great match.</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-O 35mm 2.0 NonAi - Fujifilm Provia 100F</image:title>
      <image:caption>Vivid greens. Provia 100F really pops!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/1774291680862-BO1QQQW0SFXPTENWEU39/Nikon-F-Nikkor-O-35mm-f2.0-fuji-Provia-Benedikt-Schlereth-3.jpg</image:loc>
      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-O 35mm 2.0 NonAi - Fujifilm Provia 100F</image:title>
      <image:caption>And yeah the blues are also not bad. the 35mm F/2.0 is just a great lense.</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-O 35mm 2.0 NonAi - Ilford HP5</image:title>
      <image:caption>Trash cans on the beach. Shot on Nikkor-O 35mm 2.0 NonAi - Ilford HP5.</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-O 35mm 2.0 NonAi - Ilford HP5</image:title>
      <image:caption>F-mount vintage glass on film hits different: Ilford HP5: Coastal Textures of the German “Ostsee”.</image:caption>
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      <image:title>blog - Nikon F Review (2026): Shooting the Indestructible 35mm Legend - Nikkor-O 35mm 2.0 NonAi - Ilford HP5</image:title>
      <image:caption>I love how the Nikkor 35mm f2.0 vintage lens character renders textures on Ilford HP5.</image:caption>
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      <image:title>blog - Hasselblad Flextight X5 vs. Noritsu HS-1800: Is the 39MP Virtual Drum Scan Worth It? - Mach es besonders</image:title>
      <image:caption>Venice on the Hasselblad Flextight - Ektachrome 400</image:caption>
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      <image:title>blog - Hasselblad Flextight X5 vs. Noritsu HS-1800: Is the 39MP Virtual Drum Scan Worth It?</image:title>
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      <image:title>blog - Hasselblad Flextight X5 vs. Noritsu HS-1800: Is the 39MP Virtual Drum Scan Worth It?</image:title>
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      <image:title>blog - Hasselblad Flextight X5 vs. Noritsu HS-1800: Is the 39MP Virtual Drum Scan Worth It?</image:title>
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      <image:title>blog - Hasselblad Flextight X5 vs. Noritsu HS-1800: Is the 39MP Virtual Drum Scan Worth It?</image:title>
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    <loc>https://www.faceoflightphotography.de/blog/canon-p-rangefinder-review</loc>
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    <lastmod>2026-03-25</lastmod>
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      <image:title>blog - Canon P Review: The Best Value LTM Rangefinder? - Mach es besonders</image:title>
      <image:caption>Clean looks</image:caption>
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      <image:title>blog - Canon P Review: The Best Value LTM Rangefinder? - Mach es besonders</image:title>
      <image:caption>Canon P Close Up</image:caption>
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      <image:title>blog - Canon P Review: The Best Value LTM Rangefinder? - Canon P Rewind Crank</image:title>
      <image:caption>Rear view detail of the Canon P showing the unfolded rewind crank and the camera's model engraving.</image:caption>
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      <image:title>blog - Canon P Review: The Best Value LTM Rangefinder? - Canon P Rewind Crank Extended</image:title>
      <image:caption>Close-up of the silver Canon P rangefinder with the film rewind crank fully extended and ready to extract the film.</image:caption>
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      <image:title>blog - Canon P Review: The Best Value LTM Rangefinder? - Mach es besonders</image:title>
      <image:caption>Canon P Viewfinder - Round Rangefinder patch</image:caption>
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      <image:title>blog - Canon P Review: The Best Value LTM Rangefinder? - Canon P Shutter</image:title>
      <image:caption>If you search for a Canon P today, you will almost certainly see photos of shutters that look like crumpled tin foil. This is known as the "wrinkled shutter" phenomenon.</image:caption>
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      <image:title>blog - Canon P Review: The Best Value LTM Rangefinder? - Mach es besonders</image:title>
      <image:caption>Canon 50mm f:1.4 LTM aka the Japanese Summilux</image:caption>
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      <image:title>blog - Canon P Review: The Best Value LTM Rangefinder? - Mach es besonders</image:title>
      <image:caption>Self timer included</image:caption>
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      <image:title>blog - Canon P Review: The Best Value LTM Rangefinder? - Mach es besonders</image:title>
      <image:caption>The rounded nut and screw grant access to the adjustment of the rangefinder</image:caption>
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  <url>
    <loc>https://www.faceoflightphotography.de/blog/422-meters-of-frozen-gold-the-expired-ektachrome-heist-part-ii</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-25</lastmod>
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      <image:title>blog - 422 Meters of Frozen Gold: The Expired Ektachrome Heist Part II - Mach es besonders</image:title>
      <image:caption>Burnt Bananas - I love the first frame on a roll</image:caption>
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      <image:title>blog - 422 Meters of Frozen Gold: The Expired Ektachrome Heist Part II</image:title>
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      <image:title>blog - 422 Meters of Frozen Gold: The Expired Ektachrome Heist Part II</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/1773423584639-AP3XN41NB7D091TG869W/Expired-Kodak-ektachrome-200-Iso400-metered-for-shadows.jpg</image:loc>
      <image:title>blog - 422 Meters of Frozen Gold: The Expired Ektachrome Heist Part II</image:title>
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      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Mach es besonders</image:title>
      <image:caption>Yes, that’s Ektachrome - Portugal</image:caption>
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      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Warm Light Portugal</image:title>
      <image:caption>Warm analog architecture photography in Portugal shot on Kodak Ektachrome, showing golden hour light without blue cast. Nikon F2 - 28mm 2.0</image:caption>
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      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Abandoned house in Portugal</image:title>
      <image:caption>Minimalist landscape photography in Portugal on 35mm Ektachrome film, focusing on geometric lines and cinematic colors. Nikon F2 - 28mm 2.0</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/1772787652895-4TULVVC4T720VV1XVEOU/ektachrome-beach-hut-portugal-analog-colors.jpg.jpg</image:loc>
      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Beach Scene Algarve</image:title>
      <image:caption>Cinematic beach scene in Algarve, Portugal, captured on analog slide film, showing natural color reproduction in bright daylight. Nikon F2 - 28mm 2.0</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/1772787656182-K8DYT80TOSO38H5MDT60/ektachrome-beach-portugal-analog-colors.jpg.jpg</image:loc>
      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Portugal Coastline Ektachrome</image:title>
      <image:caption>Wide landscape shot of the Portuguese coast on Kodak Ektachrome, demonstrating the film's high contrast and rich blues. Nikon F2 - 28mm 2.0</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/8cad4b6b-b615-4a70-b2f3-13b3d615fe6e/ektachrome-latitude-diagram.jpg.png</image:loc>
      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/f34417c4-e785-41cc-a6e4-9c12e48bba1f/ektachrome-lazio-orte-analog-colors.jpg.jpg</image:loc>
      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Mach es besonders</image:title>
      <image:caption>A bit more blue than i remember the scene to have in reality - Italy</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/84df2d3c-078d-4473-b192-0df9756ba3a7/ektachrome-alps-spluegen-analog-colors.jpg.jpg</image:loc>
      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Mach es besonders</image:title>
      <image:caption>The typical blue shift - Splügen 1400 m a.s.l.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/89eee77e-931e-41ab-8183-924e8dbfc324/ektachrome-color-shift-germany-vs-spain-light.jpg</image:loc>
      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Mach es besonders</image:title>
      <image:caption>Kodak Ektachrome - Germany</image:caption>
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      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Mach es besonders</image:title>
      <image:caption>Kodak Ektachrome - Spain</image:caption>
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      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Mach es besonders</image:title>
      <image:caption>The goal - nice warm colors</image:caption>
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    <image:image>
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      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Aerial view of the alps</image:title>
      <image:caption>Unedited analog photo taken from an airplane window on Kodak Ektachrome film, showing a heavy blue cast due to high altitude UV light. Nikon F2 - 35mm 2.0</image:caption>
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    <image:image>
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      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Aerial view of the Alps</image:title>
      <image:caption>Edited analog photo taken from an airplane window on Kodak Ektachrome film, color corrected to match projected image. Nikon F2 - 35mm 2.0</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/1772745393354-4LWD3V414CVTYO6UN7UI/lightroom-rgb-curves-portrait-ektachrome-color-grading.jpg.jpg</image:loc>
      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Ektachrome RAW Scan Blue Cast</image:title>
      <image:caption>Raw uncorrected scan of a portrait on Kodak Ektachrome film, showing some color cast typical for E-6 slide film.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/1772745381733-T96V3EI2EUSZQ06QSN7G/lightroom-rgb-curves-red-ektachrome-color-grading.jpg.png</image:loc>
      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Lightroom Red Curve Correction</image:title>
      <image:caption>Adjusting the Red RGB curve in Lightroom to add more cyan in the shadows and counteract the reddish hue.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/1772745401389-VPRJ0DBJ5GDSL46CRMT6/lightroom-rgb-curves-portrait-2-ektachrome-color-grading.jpg.jpg</image:loc>
      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Ektachrome Color Correction Step 1</image:title>
      <image:caption>Portrait on Ektachrome after initial red curve adjustment, showing improved skin tones.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/1772746214647-4VMBHKMX6M1KQQXTRP7V/lightroom-rgb-curves-green-ektachrome-color-grading.jpg.png</image:loc>
      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Lightroom Green Curve Correction</image:title>
      <image:caption>Fine-tuning the Green channel curve to balance the magenta-green axis of the analog Ektachrome scan.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/1772746102277-QJH1C2WU4V60OTBFYH8T/lightroom-rgb-curves-portrait-3-ektachrome-color-grading.jpg.jpg</image:loc>
      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Ektachrome Color Grade II</image:title>
      <image:caption>Portrait on Ektachrome after green curve adjustment, showing improved skin tones .</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/1772746310463-J0MNCRYP6ZO0MUAEVXLO/lightroom-rgb-curves-portrait-ektachrome-contrast-grading.jpg.png</image:loc>
      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Ektachrome Black Point Adjustment</image:title>
      <image:caption>Adjusting the RGB tone curve in Lightroom to recover deep blacks (D-max) and add contrast to the analog Ektachrome scan.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/1772746323637-0Z71ZRC1UT19UQOOOOWP/lightroom-rgb-curves-portrait-4-ektachrome-color-grading.jpg.jpg</image:loc>
      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Final Ektachrome Portrait Deep Blacks</image:title>
      <image:caption>Color-corrected portrait on Kodak Ektachrome, featuring rich blacks.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/666044f3d367e27d847e3606/1772746553577-1SQOFK4GNRX0AX8QGPG8/lightroom-rgb-curves-portrait-5-ektachrome-color-grading.jpg.jpg</image:loc>
      <image:title>blog - Embrace the Blues: Why Ektachrome shifts cooler and how to handle it - Ektachrome Final Exposure and Warmth</image:title>
      <image:caption>Final color-corrected Ektachrome portrait with increased exposure and warm white balance to match the glowing aesthetic of a slide projector.</image:caption>
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    <image:image>
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    <loc>https://www.faceoflightphotography.de/blog/422m-expired-ektachrome</loc>
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    <lastmod>2026-03-25</lastmod>
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      <image:title>blog - 422 Meters of Frozen Gold: The Expired Ektachrome Heist Part I - Mach es besonders</image:title>
      <image:caption>Reels of Kodak Ektachrome 400 and 64T</image:caption>
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      <image:title>blog - 422 Meters of Frozen Gold: The Expired Ektachrome Heist Part I - Mach es besonders</image:title>
      <image:caption>Film - lots of it</image:caption>
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      <image:title>blog - 422 Meters of Frozen Gold: The Expired Ektachrome Heist Part I - Mach es besonders</image:title>
      <image:caption>Vintage looking custom film canister stickers</image:caption>
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      <image:title>blog - 422 Meters of Frozen Gold: The Expired Ektachrome Heist Part I - Mach es besonders</image:title>
      <image:caption>Incident metering with the Sekonic Flashmate L-308X</image:caption>
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      <image:title>blog - 422 Meters of Frozen Gold: The Expired Ektachrome Heist Part I - Mach es besonders</image:title>
      <image:caption>Direct Comparison Retrochrome 400 vs Ektachrome 400</image:caption>
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